Poppety in the Fall

In this animated short, a terrible curse deprives Balthasar's kingdom of its stories. Taking the unicorn's horn back into The Belly of the Earth is the solution. Poppety will lead an expedition, by chance uncovering a hitherto closely guarded family secret.

Love

After being diagnosed with Alzheimer's, Lino Santos Gomes, the grandfather of director Barbara Marques, will move in with his family. Videos were made with cell phone lenses. From chaos to love, a grandpa’s day.

Who Gets the Dog?

Six years after saying "I do," Olive and Clay call it quits. Although they split amicably, both want custody of their beloved dog Wesley and they end up in court. With everything at stake, can man's best friend find a way to reunite the couple?

To Be

Juana, Mar, and Eduardo tell their stories of abuse.

Wege Gottes

Weg

things that won't die

After finding some videos she uploaded to YouTube when she was a child, Manuela attempts to follow the trail she herself has left on the Internet. A search that looks into all that things that won't never die and that, especially, thinks about the way we look at ourselves.

The Groomsmen

Blue-collar Paulie prepares for fatherhood and his forthcoming wedding to Sue by hanging out with his groomsmen. Brother Jimbo, cousin Mike, and his pals fill the reunion with drinking, boys-will-be-boys antics and a few unexpected personal confessions. But, when the bonding devolves into accusations and regret, Paulie has to decide whether he's ready to tie the knot and take this big step into adulthood.

What remains

A reflection about memory, the digital world and the files that we generate daily through the audiovisual gallery of a mobile phone

Atlal (Remnants)

'Atlal (Remnants)' is a fictional documentary that follows Bassam, a Palestinian man in his fifties, on a journey between the past and present. An abandoned school, the remains of a beach club, and a dusty cinema hold Bassam's cherished memories from his life in Qatar. Through personal archives and interviews with Bassam and his wife, Laila, we get a deeper look into their stories—slowly revealing the dismaying thoughts behind Bassam's nostalgia.

Man with a Movie Camera

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

Last Of The Summer Wine: 30 Years Of Laughs

This new special reveals the secrets of the long-running sitcom's extraordinary success. Helped by former cast and crew members, families of the stars no longer with us, and celebrity fans, we learn the secrets of this comedy classic and get to see previously unseen interviews and rare behind-the-scenes archive footage.

Pop

Pop chronicles the journey of three generations of Meyerowitz men on a road trip from Florida to the Bronx, in exploration of their familial roots. Joel’s father, Hy, is battling Alzheimer’s disease and so they embark on a “quest to see if, along the way, the adventures and experiences we would have could stimulate his now rapidly failing memory.” The film directed and produced by our Joel Meyerowitz. It is touching, funny, poignant, and beautifully captures the strength of intimacy between fathers and sons.

Kayadan Seken Kurşun

Sentimental Value

Nora, an actor, and her sister Agnes, are grieving the loss of their mother when their father Gustav reappears in their lives after a long absence. Gustav, a once-celebrated filmmaker, has written a script for a comeback movie and offered the main part to his daughter Nora, but she categorically refuses the role. During a career retrospective in France, Gustav meets an adoring Hollywood star and offers her the part intended for Nora. When the film starts shooting back home in Norway, Gustav seizes the opportunity to repair his bond with Nora and her sister.

Circus

We all carry hell with us. The filmmaker’s hell exists on a canvas, which he studied carefully in childhood. The mystical picture has many names: Circus, Hell, Game at the Arena. Decades later he finds the painting again. The film unravels as loose ponderings about the plight of being an artist and touches upon the filmmaker’s personal demons. Can he see the painting in a new light?